Monday, May 30, 2016

X-Men: Apocalypse


      ‘X-Men: Apocalypse’ is here and it was not worth the wait.  The previous two movies in the ‘X-Men: First Class’ trilogy built so much positive momentum I had high hopes that the mojo would carry over into this film. This film, like in many comic book stories, fell victim in trying to outdo itself in spectacle.  The result was excessive style over substance and a whimpering last chapter to this story arc.  I’m not going to say this film was bad, just unfulfilling. When will directors and producers learn that just because you stuff more super heroes and special effects into a 2 hour period doesn’t mean you will make it better?  The success of ‘Captain America: Civil War’ is that it did not fall into this trap.  No matter how much ‘Civil War’ added, story and character came first.  We are introduced to so many new characters in ‘X-Men: Apocalypse’, yet we did not get to know any of them. We were re-introduced to previous characters from the original trilogy, but none of the chemistry was developed. Lots of special effects designed to make us  say ‘coooollll’ with mediocre at best CGI and a story line designed to glue together these endless fight scenes.

I think the most disappointing part of the film was the how they turned one of the X-Men’s greatest foes into a generic omnipotent villain who wants to destroy the world (still not exactly sure why). In fairness, Apocalypse (played by the normally phenomenal Oscar Issac) was always going to be a difficult character to bring to the screen.  He was a larger than life character in the pages of the comic book and it would be a challenge for any director to bring such omnipotence to the big screen.  Apocalypse, or En Sabah Nur, is a 5,000 year old Egyptian, believed to be the first mutant.  His ability to absorb other mutants powers over the millennia have transformed him into a god like creature.  When he is awoken from his millennia long slumber, his first assessment is that the world is run by the weak and must be ‘cleansed’.  In order to do so, he recruits what he considers four of the most powerful mutants on earth and he super charges their powers to be his henchmen.  The lineup consists of Magneto, a young Storm (Alexandra Shipp), Psylocke (Olivia Munn), and Angel (Ben Hardy).  This is where they lose a comic fan like me (and many others).  Magneto I can possibly see, even a case can be made for Storm, but Psylocke and Angel? Not exactly recruiting from the upper echelon.  This omnipotent being is recruiting beings he would probably consider in need of cleansing.

The main purpose of this film is to round out the trilogy and introduce the original movie X-Men as their younger selves so they can continue the franchise.  It felt like Jennifer Lawrence was just in it because they had her under contract.  She looked like she was just going through the motions and, in fact, rarely appeared in her supposed natural blue form (when you are a huge star, you don’t have to go through the hours of grueling make-up).  The highlight of the film for me was Micheal Fassbender’s Magneto.  Of course I’m biased as he is one of my favorite actors, but he delivered some of the most profound and poignant moments in the film.  Then of course there is Xavier (James McAvoy) where they were just looking for a story angle to transform him into the bald version all fans love.  Overall, I felt he was vastly underutilized. 

Like the third installment of most trilogies there is reflection on the previous in the form  of clip flashbacks. Combine that with some gratuitous cameos by other X-Men favorites and it was worth the price of admission, but not necessarily gratifying. Director Brian Singer tries to insert some self deprecating humor in one scene where a group of students see ‘The Revenge of the Jedi’ and note that the third movie in a trilogy is always the worse, but it comes off less funny and more irritatingly factual to a person who just plunked down $10 for a ticket would like to hear (not even counting popcorn and drink).  The new kid versions of the team are uninspiringly cast and never truly developed.  Spoiler Alert: The introduction of Jean Grey’s Phoenix powers come far too early in her career and should not have been introduced  this time around.

I can’t say I didn’t enjoy this film.  There were many things that kept me entertained. It’s just that the previous two films, plus the recent exceptional experiences of both Captain America and Deadpool,  set the bar so high that I can’t give this film a fair shot.  We have gotten to a point where we yawn at omnipotent villains because it always follows the same storyline: ‘no one can match the villain until all seems lost then someone manages to use a plot twist to defeat him’.  I’ve seen it and know when it will happen.  Predictability and formula is death in an action film. Still, go see this film just to round out the trilogy, but leave hoping that the next series of films in the franchise will learn something from Marvel Studios about how to make a super hero film.

I give this film ** stars




Sunday, May 8, 2016

Captain America: Civil War


       The much anticipated ‘Captain America: Civil War’ has arrived and I am happy to jump on the bandwagon of everyone praising this movie.  A culmination of the 13 Marvel movies that have preceded it, yet setting a new bar and standing out on its’ own.  Marvel shows that it is not done exploring what is possible in “Super-hero” movies and delivering a true cinematic experience. As I watched this, it occurred to me where DC is failing to find its’ niche.  It seems obvious, but Marvel captures the most important and obvious aspect of any storytelling; that characters come first.  Marvel delivers us smart dialogue and characters in which we all become engaged and invested, despite or because of their all too human flaws.  ‘Captain America: Civil War’, despite being packed to the point of overflowing with superheroes, never forgets that the characters and their development comes first.  Despite all the heroes, old and new, in this film, not one is used gratuitously and each has their part that expands the story.  

The plot is basic, yet complexly layered at the same time.  When a UN terrorist attack, seemingly perpetrated by Cap’s friend Bucky: The Winter Soldier, kills scores of people, including King T’Chaka of the fictitious nation of Wakanda, it’s the straw that broke the camel’s proverbial back and the world governments demand accountability for all the destruction that seems to follow the Avengers.   The Secretary of State (William Hurt, reprising the role of Thaddeus Ross) offers a compromise:  The Sokovia Accords. This would move the Avengers from a private organization to having oversight and accountability from a U.N. panel.  Tony Stark (Robert Downey Jr at his best), racked with guilt over his role in the devastation created by Ultron embraces accountability, whereas Steve Rogers (Chris Evans comfortably owning the role of Captain America), an individualist, and  distrustful of government bodies and their unpredictable agendas, chooses the side of freedom from oversight. Thus the philosophical lines are drawn with each viewpoint being correct and the heroes take sides according to their beliefs.  

Christopher Markus and Stephen McFeely return as Captain America’s writers and their impressive ability is to create a conflict where both sides are justified.  Even if we choose a side, we fully understand and empathize with the other viewpoint.  What is further impressive is that a film that is overflowing with characters are all deftly handled and flow seamlessly into an overall narrative.  Even with all these characters, we are introduced to two new ones who will be part of the Phase 3 Marvel plan.  Chadwick Boseman makes an impressive debut as the royal Black Panther.  Regal and tortured by the death of his father, his performance makes us long for his solo movie to come quickly.  In addition, Tom Holland is introduced as the MCU’s new rebooted Spider-man.  His performance has almost been universally heralded as getting the character right.  Even these blatant seed plantings of future franchises don’t feel forced and they belong in the film as much as all the other characters.  

The choice of villain in this film is what impressed me most of all.  The ‘rapidly becoming my favorite actor’, Daniel Brühl introduces us to a smaller than life villain named Zemo.  He has little screen time and much of it we are trying to figure out what he is doing and what his motivations are.  Instead of going over the top with the movie villain, like many Super-hero movies, Zemo is low key and mysterious.  We know his actions are leading to something, but without knowing his motivations, we are left in confusion.  It isn’t until the third act that the full purpose of his actions are realized and we understand how truly devastating this reserved and somewhat sympathetic villain is.  Daniel Brühl delivers exactly what he is supposed to.

As I started with this review, ‘Captain America: Civil War’ shines because of its’ character development.  From the intense visceral conflict between Tony Stark and Captain America to the more light-hearted moments between The Vision and Scarlet Witch and even further to the comedic interactions of Ant-man and Spider-man, all seem to belong in this movie and we are invested in these characters and care what becomes of them because of it.   This film is a symphony of character interplay that transcends the super-hero genre to become a truly great movie.  I give a metaphorical standing ovation.  The Russo brothers, who directed this, have proven to be great directors capable of taking the most successful movie genre in history to an even higher level of depth and respect.  The Marvel machine is not even close to running out of steam.

Phase 3 of the Marvel universe is packed full of new heroes and personally, I cannot wait to see what Marvel has to offer. They have proven that they won’t just recycle storylines, rather attempt to just give us new and exciting journeys into these characters that I have known since my childhood.  I don’t think it’s a case of DC vs Marvel as I feel there is room for both, but Marvel is definitely setting the pace.  DC needs to find their own style, but they could also take some notes on how to make a movie that is more than just a super power showcase. Hats off to everyone involved at Marvel for giving us this cinematic work.

I give this film ***** stars