Sunday, April 16, 2017

Gifted


       ‘Gifted’ hasn’t been getting a lot of press, which is a shame, because this is a mature, family friendly, and intelligent picture, which is rare to come by these days. I can understand the critics ‘ho-hum’ attitude as it’s not a story that breaks new ground. Frank (Chris Evans) is trying to raise his late sister’s math prodigy daughter the way he thinks she would have wanted; a normal life, not one of being pushed into the spotlight of greatness.  The story of child prodigies just trying to have a normal life has been explored countless times before, even in notable films like ‘Little Man Tate’, but that doesn’t make ‘Gifted’ any less of an engaging and worthwhile film. Chris Evans and Octavia Spencer put aside their A-List egos and give us an emotional tale of conflict about people who all just want what is best for a little girl named Mary (just precocious enough, McKenna Grace), Frank’s 7 year old niece.

Don’t get me wrong, their are plenty of cliches and gratuitous tear jerking moment, but what sets gifted aside is that it doesn’t focus on Mary’s gift of being a math prodigy, if focuses more on a family dynamic where no one is truly a villain.  Frank has found a blue collar niche in coastal Florida as a boat mechanic raising his niece with the help of his neighbor Roberta (Octavia Spencer, is she in everything?).  Frank is trying to find a way to integrate the reluctant Mary into a normal school in order for her to fit into life.  Unfortunately, it is soon discovered by Mary’s teacher Bonnie (Jenny Slate and Chris Evan’s real life love interest at the time) that Mary is not only gifted, but incredibly gifted.  With everyone in the school administration becoming involved and feeling that Mary is wasting her talents in a normal school, they contact Frank’s controlling mother Evelyn (Lyndsey Duncan) who intervenes and starts court proceedings to gain control over Mary’s life and separate her from Frank.  

Mary’s teacher Bonnie is torn over wanting to make sure that Mary achieves her potential and her growing attraction to Frank who she knows is only trying to do what is best for his niece.  I thought the director did a great job showing Franks doubts about his own decisions, yet is surety about what his sister would have wanted.  Life is not always idyllic between Frank and Mary, but they have each other which both of them value more than anything.  Frank’s mother could have been easily written to be the over-the-top evil grandmother, but we understand Evelyn’s pain at losing her daughter and viewing Mary as a second chance to make it right.  Even more touching is the way Frank’s neighbor Roberta has come to view Mary as a part of her life and panics at the thought of losing her.  Again, just a story of well written and developed characters.  All of whom we develop an understanding and connection.

I usually don’t like tear-in-the-eye feel good movies as I find them forced and gratuitous in their story telling.  This is a welcome exception.  A family drama that everyone can enjoy that neither talks down to nor manipulates the audience.  It’s nice to see Chris Evans in something other than a blockbuster.  This was also a welcome departure for Jenny Slate from her usual ‘quirky best friend’ roles she seems to get so often.  Take the family and enjoy a feel good easter time movie.


I give this film **** stars


Saturday, April 1, 2017

Get Out


       I can’t believe this is a movie that I saw much less am reviewing, but I am so glad my curiosity got the better of me and I had my closed mind opened up.  The trailers and marketing made this film look like a B-level slasher film and then when I saw that it was written and directed by Jordan Peele of ‘Key and Peele’ fame, I just assumed this would be a silly, amateurish, slightly satirical horror film. I dismissed this film and didn’t give it a second thought.  Then I saw that it started to get uncommonly good reviews and almost universally so. I decided to give it a go and I have to say that, in my mind, Jordan Peele is no longer a sketch comedy writer, rather a full fledged film maker.  While there are aspects of horror in this film, I would categorize it under a “Psychological Thriller”. This film is full of depth and nuance, while taking you on a psychological thrill ride you won’t soon forget.  

The film centers on a young African-American photographer, Chris Washington (Daniel Kaluuya) whose Caucasian girl friend Rose (Allison Williams) plans to take him home to meet her wealthy white family.  Chris is naturally hesitant as the family doesn’t know he is black and he fears their reaction.  While Chris definitely feels something is amiss when he meets Rose’s parents, his fears are somewhat set aside as, despite some elitist gaffes on Rose’s father Dean’s (Bradley Whitford) part, the family seems welcoming albeit uncomfortably embracing.  The skill of Director Jordan Peele is making the normal seem abnormal.  Peele allows us to know (feel perhaps?)something is wrong right from the beginning, but like Chris we can never figure out exactly what.  The groundskeeper Walter and the maid Georgina (Marcus Henderson and Betsy Gabriel) are the only African-Americans around and, to Chris's discomfort, act in a subservient role. Dean seems to have a plausible explanation that would keep his non-racist credentials intact, but we all sense that something is amiss, especially after witnessing  the ethereal behavior of both Walter and Georgina.  

To make matters worse, Rose forgot that they arrived on the weekend of her family’s annual gathering of elderly friends and family.  Chris’s discomfort grows as he becomes the center of everyone’s attention for reasons he can’t quite figure out.  The few African-American people he meets in the family gathering seem out of place and have the same distant qualities of Walter and Georgina.  Chris knows he has stepped into something beyond his control when a late night encounter with Rose’s psychiatrist mother (Katherine Keene) causes him to fall into a suffocating and terrifying hypnosis experience.  It is then that Chris as become aware that he must leave and hopefully take Rose with him.

The film’s roller coaster ride only rises from there and the most ‘edge-of-your-seat’ part is that we are never quite sure what exactly is going on.  While we feel things begin to spin out of control, we feel Chris’s need to understand what is happening.  That is the thrill of this movie because it isn’t until the last act that it all begins to become clear and the reality is even more horrifying than one thinks.  I was left breathless by the end and that is what a good movie is all about.

If you are afraid this film will be a blood bath, it isn’t so don’t let that deter you.  There is very little, if any bloody scenes and even some squeamish scenes towards the end are not done over the top.  I highly recommend this film and apologize to Director Jordan Peele for having such a closed mind.  He is a true artist.  This is my surprise sleeper pick for the year (rolling 12 months, not just since January).  Anyone who wants an intense thriller should go and be prepared for the ride.


I give this film **** stars