Tuesday, December 25, 2018

Aquaman


       I so wanted ‘Aquaman’ to be great.  It was getting so much hype as the savior of the DC extend universe that I should have known  it would never live up to the hype.  DC is smacking of desperation with putting so much pressure on each new offering to repeat the success they had with Wonder Woman.  In fairness, films like Batman vs Superman and Justice League have made money, but they aren’t capturing the hearts and minds of fans the way Marvel movies have.  It shows there is a built in audience thirsting for these films to be good, but once again, studio heads trying to replicate and copy the Marvel business model have no idea what connects super heroes to fans.  You can see them trying hard by throwing explosions, and great battle scenes, and humor, and over proportioned heroes, but what they lack is the character depth and humanity that Marvel captures in each one of its’ characters.  Marvel puts story first, then builds all the fun around it.  People who don’t connect with the super hero world don’t realize that and just focus on the superficial.  It’s not about the costume or the powers, it’s about the people.  Bless ‘Aquaman’ for trying hard…really, really hard, but this film fails to find its’ heart and tone and just comes out as a mish-mash of hurried scenes and story lines that some producer thinks the audience wants to see.

The lack of respect for the character of Aquaman has been so much of a running joke among comic fans that it has almost become a cultural phenomenon.  Despite his strength and ability to communicate with aquatic life, he has largely been viewed as the most useless member of the Justice League.  Writers have taken on the challenge in the comic world to take on reboot after reboot to somehow gain the character some respect but, despite some valiant attempts, have failed to give the poor King of Atlantis the stature he deserves (or rather was created to have). The Studio Execs at Warner decided to totally shake things up by casting the currently popular and ruggedly handsome Jason Momoa in the title role.  While I respect taking chances, the biker cool-dude shagginess of Momoa is a complete miscasting of what is supposed to be a more regal and dignified role.  The film also struggled to find a consistent tone.  One moment it tries to be operatic and then silly and goofy the next.  Jokes are randomly thrown in that fall flat (because Marvel has jokes in their movies) and elements are taken from other successful movies that also seemed haphazard.  Everything from Star Wars to Avatar to, most blatantly, Thor were all exploited if not out right copied. And most painful of all was the leaden chemistry between lead Jason Momoa and leading lady Amber Heard.  I don’t know what their screen test looked like, but I wish someone would have caught their complete lack of interplay before offering the roles.

The key elements of the hero torn between land and sea are there.  In fact, the story of his mother (a surprising casting of Nicole Kidman) the exiled Queen of Atlantis and his father, the lighthouse keeper who rescued her was probably one of the highlights of the film.  The improbable romance that somehow produced a super powered off-spring had heart.  Much like Iron man was tailored to Robert Downy Jr’s personality, so was Aquaman adjusted to fit Jason Momoa’s.  The problem was it didn’t fit.  The immediate onslaught of CGI battle scenes, wondrous underwater cityscapes, and convoluted family drama came at the sacrifice of creating a fully developed character.  

I will say that any film that puts Dolph Lundgren and Willem Dafoe in the same movie together has my attention, but their underwater acting seemed awkward at best.  Patrick Wilson tried to recreate Tom Hiddleston’s evil brother act as Aquaman’s evil half-brother Ocean Master.  He failed to match Loki’s multi-nuanced silver tongue performance and just came across as an effeminate hand wringing villain.  And then there’s Aquaman’s love interest, Mira (played with the aforementioned wooden intensity by Amber Heard).  How the main romance can go unexplained and undeveloped is unfathomable to me.  They were either exchanging quip filled bickering or staring doe eyed into each other’s eyes depending on the scene with no real explanation of transitions.  Despite the sporadic story telling there were zero surprises with most scenes being cliches.  Training montages, grudge matches, the ‘only person who can take on the monster’ scenes.  How many times can we see a ‘There can be only one’ scene and remain engaged?

My final complaint is that they way over powered Aquaman.  Bullet proof and able to lift submarines?  He’s not Superman.  More isn’t always better in these movies and that was what this movie was all about… More!  To the point of over the top. Despite all my grumblings, I can’t say that I hated it.  It was more disappointment at something that could have been so much better.  DC has to find their own vision apart from Marvel.  Until that happens they will always be in their shadow.  No matter how much the film makes.


I give this film ** stars out of five




Monday, December 24, 2018

Spider-Man: Into the Spider-Verse


       It’s been awhile, but I felt the need to post a review of ‘Spider-man: Into the Spider-verse’ because of how impressed I was by the latest offering into the over commercialized and saturated Spider-Man (and super-hero) movie world.  It seems like a Spider-man movie or reboot is released every year.  I will state from the outset that this film is a gift to the comic nerd community and may not be for everyone. Due to film copyright issues, Sony has tried to cash in on the Marvel success by attempting to create a Spider-man shared cinematic universe franchise of their own and each offering has been increasingly dismal.  I felt after this year’s horrific ‘Venom’ (where Spider-man wasn’t even mentioned) that they had truly hit rock bottom and were counting their blessings that Marvel’s studio acquisition of their film division would end their hardships.  The Spider-Man franchise descent truly is an example of a movie Studio that had no concept of what makes super-hero movies magic and the only respect they had for the iconic property was the money they thought it could generate.

So I digress:  A recent trend in comics has been the advent of SJW writers and artists who have sought to diversify comics (That is a worthy goal, but not by destroying iconic characters IMHO).  There has been everything from female Thors to Asian Hulks to a multitude of Captain America personas.  The momentary uptick in sales for each title, based on the novelty, quickly fades and the result is Marvel increasingly struggling with sales and angry fans who don’t like Marvel canon being messed with.  The notable exception to this was the introduction of Miles Morales as an African-hispanic Spider-Man.  One cannot predict how or when mojo will strike when creating characters, but Miles struck a cord and has been a popular part of the Marvel universe ever since.  Again, IMHO, the vast majority of people don’t care whether a character is politically correct or what their ethnic background is, they care whether or not the story is engaging and the character is endearing.  Miles Morales ascended from this quagmire virtue signaling to where Sony decided to try him out in his own movie (albeit it an animated one separate from the rest of the continuum).

I will grant that one of Marvel’s biggest current flaws with it’s iconic characters is that they were mostly invented in the 60’s and 70’s.  Their origin stories are starting to lose relevance and connection with audiences that are now several generations removed.  What I feel the Miles Morales character does effectively is modernize the Spider-Man story while maintaining what made Spider-Man so relatable in the past.  And I love that they resisted the urge to go dark with the storylines which all other franchises seems to be doing.  Miles reflects the original Spider-Man’s hopeful and youthful exuberance that made the comic fun to read.

I’m not a big fan of animation and the strides in effects over the last couple decades have been so incredible that nothing from an animation point of view really impresses me anymore.  That being said, I approached this with some trepidation.  I’m glad to say ‘Spider-man: Into the Spider-verse’ exceeded my expectations and I’m thrilled that the franchise found a unique voice outside what they have been trying to do.  This does not feel like a Marvel movie.  As much as I love what Marvel has done, this is a fresh take and feel that still delivers on all the action, humor, and emotion one comes to expect from Marvel.  I must say this is a unique style of animation, which I found initially distracting, but I soon was able to get past that and release myself into the story.

The concept of the ‘multi-verse’ was created, so writers would have freedom to create storylines and characters outside the normal continuum of the shared universe concept.  You can make new characters, or have interesting twists of events, or explore all sorts of ‘What if’ possibilities. Eventually, some stories became so popular that fans would want them to cross over into the normal Marvel universe.  Miles Morales was one such character from the Ultimates universe.  Miles Morales offered a more modern and diverse take on modern New York that rang truer than the traditional Spider-man.

The origin story is similar, but in ‘Spider-man-Into the Spider-verse’ we see an aging and disillusioned Peter Parker finding himself drawn into another universe by a device created by the Kingpin who is trying to bring back his lost wife and child (sounds complicated I know, but it makes sense when you are watching it). Peter immediately identifies with Miles, his other universe counter part, and reluctantly takes on the role of mentor.  To make matters more fun and confusing, a variety of other Spider heroes are drawn from other universes.  From the charming, to the silly, to the down right weird, they all team up to take on the Kingpin and his henchmen to prevent the ultimate destruction of their universes and to find a way back to each of their own universes.  Like I said, it sounds complicated, but makes sense as you watch.

This is one case where I hope Marvel passes the Spider-Man mantle on to Miles from the ‘Archie comicsesque’ storyline of the original.  I think this film is a good start at introducing the new character to the masses and do it in a unique way that doesn’t affect the current MCU storyline.  I hope Marvel explore other options like this that is separate from the style and current storylines of the current universe they have created.  Comics has rich and varied genres and the movies should reflect that freedom.  Sincere gratitude for being able to breathe fresh life into a stale property.


I giver this film *** 1/2 stars out of 5