Sunday, December 27, 2020

Wonder Woman 1984

 


    Let me start off by saying that I am a HUGE fan of Patti Jenkin’s first Wonder Woman movie.  She proved that DC was capable of producing films that matched, and in some cases exceeded, the content that Marvel was putting out.  Gal Gadot was controversially cast in the role, but ended up being the perfect choice to embody the Amazonian princess.  Her chemistry with Chris Pine’s Steve Trevor laid the foundation for an exceptional film.  I have been waiting for this sequel for so long and to have this be the first film I went to see in the theaters since last summer, I really wanted to like this film.  All that being said, I was beyond disappointed in this film and almost angry that it fell so short of expectations in almost every category.  This is an unworthy sequel to a fantastic first film and shows that DC still hasn’t found the ability to connect with audiences.   After such an aggressive opening statement, I should list everything that I found wrong with the film, however that list would be too long.  Instead, I’m going to focus on general themes that I feel detracted from the overall film. 

 

Right from the start, I wasn’t sure why this film was set in 1984.  Other than a few cliche jokes, I found that it had very little connection to the spirit of the time.  That being said, it was one of my more minor qualms with the story.  In order for a super-hero movie to work, there must be a “suspension of disbelief”.  What that means is that if you are unable to buy into the fanciful world or topic being created, the film will just end up feeling frivolous.  Not only does one have to get past suspending their disbelief of the super-hero world, but one has to also get past the premise of the story.  The premise is that of a ‘Wishing stone’ granting the wish of anyone who touches it (only one time apparently).  ‘Be careful what you wish for’ is a tired cinematic trope that was made even more fatiguing by the confusing aspects of how this stone granted wishes. Everything about the premise seemed cheesy and cartoony.  If a superhero film feels cheesy and cartoony, then ‘Game-Over’!  There is no way to suspend your disbelief and the eye-rolling starts.


My second issue is the return of Steve Trevor, whom everyone knows by now, died decades earlier in the first film.  We were promised by everyone involved in the production that Steve’s return wouldn’t be ‘gimmicky’ or cliche.  Well, that’s precisely what it was…a gimmick and cliche.  Worse, it was a gimmick that didn’t entirely make sense.  Especially, the part about him coming back in another body, yet us seeing him as Steve Trevor.  It was a twist that wasn’t needed and only added to the already confusing resurrection plot.  I won’t deny that there is still strong chemistry between Gadot and Pine and some of the film’s best moments were between the two.  However, I never was able to stop asking myself, “Why is he in this movie”.  


My third issue was the use of the aforementioned ‘Wishing stone’.  It was an ill-explained, confusingly executed plot device that left me trying to figure out what it actually did.  They kind of slipped in that if it grants you a wish, it takes something from you… sort of.  It was used as a device to weaken Diana… a little bit.  She was still Wonder Woman, just not quite as wondrous as before.  They tried to explain the ebbs and flows of her powers, but I never really fully understood how it worked or even the stone’s origin.  It was supposedly something immensely powerful but looked liked something one could purchase at Spencer’s Gifts.


My fourth issue was with Kristin Wig’s portrayal of the super villain Cheetah.  I’m a big fan of Kristin Wig and had high hopes to see what she could do, but once again we see villainous stereotypes and cliches that we’ve seen countless times before.  The bumbling outcast who is corrupted by gaining superpowers.  Combine that with some of the weakest CGI I’ve seen in a film of this level and it really was an almost superfluous addition to an already over-long movie.


My final complaint (for purposes of not rambling too long) was the film’s primary villain, Maxwell Lord (played by one of my favorite actors; Pedro Pascal).  He was a television personality/oil speculator who, despite his public image, was on the verge of financial ruin.  He saw the wishing stone as a means of turning his collapsing empire around.  I don’t believe they ever really explained how he knew about the stone (other than some crudely drawn notes on his desktop), but his sole purpose was to possess the stone then have a confusing plan to take over the world.  Some critics have tried to make the comparison to Maxwell Lord being a parody of Donald Trump, but other than a few minor connections or references, I didn’t really see anything too overt.  What a waste of a gifted actor


If I’m being honest with myself, I do believe some of the harshness of my criticism is coming from trying to compare it to the massive story telling success of the first movie.  That being said, even if I were judging this as a stand-alone film, my criticisms still stand.  This was an assembling of such a great cast, who were wasted on a cheesy and cartoony story.  Surprisingly little action and overly pontificating for a ponderously long 2 1/2 hours.  I still hold Patti Jenkins in the highest regard, but this was a miss for her.  I really tried to like it, but I felt it just lacked the kind of mojo that makes a super-hero movie special.


I give this film * 1/2 out of 5.


Wonder Woman 1984 trailer




Sunday, September 13, 2020

The New Mutants



 The New Mutants


       So, for the first time since Covid started, the theaters have opened and I was one of the first ones back in the movie seats.  I had a choice of two films: ‘Tenant’ by one of the greatest Directors of all-time, Chris Nolan or the much production delayed and re-written ‘New Mutants’. Of course, against my better judgement, I let me inner comic geek come to the surface and decided on going to see the X-men spinoff; ‘New Mutants.  I knew I was wrong when I chose that, but I had no idea how wrong I was.


I’m not sure why I chose to see this film as I was never really impressed by the comic series of the same name.  I thought the stories were weak and the character’s were cliché with confusing powers.  All the major comic properties have been mined and the studios are digging into 3rd and 4th tier characters.  That being said, there have been some surprises like ‘Guardians of the Galaxy’, but for the most part when they dig this deep the results are lukewarm at best (similar to their receptions in comics). The one aspect that did intrigue me is that this was the first attempt to vary the super-hero genre as to focus on a horror aspect rather than an action-adventure.  I’m all for trying new things and I will even grade on a curve just to reward artistic chances.  However, even with a curve, this movie just failed to deliver no matter how much I wanted it to succeed.


The story’s premise is that teenage mutants, who are just discovering their powers, are taken to a secretly remote and secure hospital under the guise of helping them.  The implication from the head doctor Dr Reyes (‘Queen of the South’s Alice Braga) is that the hospital is under the oversight of Prof Charles Xavier of the famed X-Men.  In reality, they are prisoners being groomed for something far more sinister.  I’m usually against forced ‘wokeness’ as the cast of mutants were checklist racially and sexual orientedly diverse.  In this case, it wasn’t heavy handed and fit with the story, so I didn’t feel it was a distraction or lecture point.  The focal character was Danielle Moonstar (Blu Hunt) a Native American with ill-defined powers of manifesting someone’s greatest fear. After a promising prologue involving the destruction of her village, the story finds Danielle waking up chained in the hospital with several other mutant ‘patients’.  While Dr Reyes insists they aren’t prisoners, the protective energy field around the school grounds and the over restrictive punishments for rule infraction makes it very clear to Danielle that she is indeed being held against her will.  She soon meets her fellow “New Mutants”: Raina Sinclair (GOT’s Maisie Williams) with the powers to turn into a wolf, Sam Guthrie (Charlie Heaton) the West Virginian coal miner who can turn himself into an unstoppable ‘Cannonball’, Roberto de Costa (Henry Zaga), not sure what his abilities are exactly, but his super-hero name is Sunspot.  He can do something with fire, but he’s all black and invulnerable and stuff.  Finally, the resident eye candy, Russian Ilyana Rasputin (Anya Taylor-Joy).  For the in-comic crowd, they will recognize this character as the sister of famed X-Man Pietor Rasputin, Colossus.  For the rest, you will be treated to the resident teen-aged angst girl with the most confusing powers of them all.  Somehow, she makes a sword, complete with right arm armor appear and she’s also able to transport to limbo dimensions. I won’t go into her complicated backstory but suffice it to say she’s there for the ‘hot girl flash’.


As we are taken through all the teen-aged trials and relationships worthy of a CW show (and not even a good one), images of horror and terror start to arise in an already horrific hospital prison situation.  I’m not against CGI, but in many cases (such as this), bad CGI really detracts from the effect the film is trying to have.  I didn’t feel the horrific CGI manifestations were all that horrific.  I was too distracted by noticing the bad quality of the CGI.  In the end, it takes more than just special effects to make a movie.  Garish and badly done CGI can’t make up for a weak story.


This is by far the worst ‘X-Men’ universe movie to date.  Sure the source material was weak, but good writing and vision can make up for that.  Kudos again for trying to experiment with the genre, but that is all that I can really say positive about this movie.  This is the last offering of the Fox owned X-Men franchise as it transfers ownership over to Disney/Marvel.  If anything, it serves as a satisfying reminder that Marvel is where this franchise belonged all along.  Au revour Fox studios.  Thank you for years of sometimes up, but more often than not downs in bringing this team to life.  Rest well knowing that the franchise is in better hands now.

The New Mutants trailer



I rate this film ** out of 5 stars


Saturday, February 8, 2020

Oscar Predictions 2020


Oscar Predictions 2020

So every year I try to predict the Oscars.  I do this from the understanding that the Oscars do not always pick the “best” picture, rather the one that reflects the politics of Hollywood during that year.  I also realize that my opinion is just that: my opinion.  

With that in mind, in addition to my prediction of how Hollywood will choose, I’m going to add who I think should win (complete with acknowledging all my biases) and who (as objectively as I can ) should actually win.  Subtle differences to be sure, but they are there.  So here goes: 


Leading Actor:
Antonio Banderas in PAIN AND GLORY
Leonardo DiCaprio in ONCE UPON A TIME...IN HOLLYWOOD
Adam Driver in MARRIAGE STORY
Joaquin Phoenix in JOKER
Jonathan Pryce in THE TWO POPES

Prediction:  Joaquin Phoenix: Tour de force acting job that has everyone buzzing
I Think:         Joaquin Phoenix
Should Win: Antonio Banderas:  A subtle and powerful performance that no one saw. Long past his pretty boy stage, Banderas has developed into a master craftsman of his art.  Greatness does not always come in a blockbuster film.

Supporting Actor
Tom Hanks in A BEAUTIFUL DAY IN THE NEIGHBORHOOD
Anthony Hopkins in THE TWO POPES
Al Pacino in THE IRISHMAN
Joe Pesci in THE IRISHMAN
Brad Pitt in ONCE UPON A TIME...IN HOLLYWOOD

Prediction:  Brad Pitt:  Hollywood loves this movie and Brad.  Hanks already has too many Oscars.
I Think:         Brad Pitt
Should Win: Brad Pitt


Leading Actress:
Cynthia Erivo in HARRIET
Scarlett Johansson in MARRIAGE STORY
Saoirse Ronan in LITTLE WOMEN
Charlize Theron in BOMBSHELL
Renée Zellweger in JUDY

Prediction:  Renee Zellweger:  Oscar darling
I Think:         Scarlett Johansen:  Didn’t like the movie, but she struck a perfect balance with this character.  
Should Win: Renee Zellweger:  Not my cup of tea, but no denying the talent in this

Supporting Actress:
Kathy Bates in RICHARD JEWELL
Laura Dern in MARRIAGE STORY
Scarlett Johansson in JOJO RABBIT
Florence Pugh in LITTLE WOMEN
Margot Robbie in BOMBSHELL

Prediction:  Laura Dern: Don't get the obsession with her or this role.  Personally think she is way over hyped as an actress.
I think:         Scarlett Johansson:  A great and powerful performance. Drama in the middle of a dark comedy
Should Win: Scarlett Johansson

Best Film
FORD V FERRARI
THE IRISHMAN
JOJO RABBIT
JOKER
LITTLE WOMEN
MARRIAGE STORY
1917
ONCE UPON A TIME...IN HOLLYWOOD
PARASITE
Prediction:  Joker:  No other movie had the well-deserved buzz this had.
I Think:         Parasite:  Korean filmmakers are producing some of the highest film art out there.  Shows you the power of this film as it wasn’t only relegated to the Foreign Language category
Should Win: 1917:  Film making at it’s finest and Sam Mendes’ finest work


Best Director
THE IRISHMAN
Martin Scorsese
JOKER
Todd Phillips
1917
Sam Mendes
ONCE UPON A TIME...IN HOLLYWOOD
Quentin Tarantino
PARASITE
Bong Joon Ho

Prediction:  Sam Mendes:  Career high director offering
I Think:         Sam Mendes:  Well deserved
Should Win: Bong Joon Ho:  Korean directors are not getting the level of respect that they deserve.  Fantastic movie worthy of an Oscar


So, these are my predictions with unasked for commentary.  I wish myself luck

Sunday, October 27, 2019

Parasite

Parasite



Korean cinema has gained a lot of recognition of late, thanks in large part to Directors like Bong Jon Ho.  I will say without hyperbole that he is one of the most dynamic directors out there and there is no other Director that can take you on a ride where you have no idea where you are going and surprises you with the final destination.  I consider his latest effort ‘Parasite’ to be his finest work and that says a lot considering films like ‘Snowpiercer’ and ‘Okja’ are on his resume.  ‘Parasite’ is a timely and insightful film about class disparity, but it wastes no time trying lecture or moralize about it.  I think Bong doesn’t mind giving you a message, but he is more interested in surprising you on where the story takes the audience.  How does one classify this film?  Comedy? Drama? Suspense? Thriller? Social Commentary?  I have no idea how to label it (probably the point), but one thing I can say is just when you think you know where the story is going they change directions and through you a curve ball that affects the entire direction and narrative.  Bong Jo Ho is a master at his craft.

The story revolves around the unemployed Ki-taek family.  The family is so poor that they live in a basement apartment where they do the odd job of folding pizza boxes for income.  They gratefully leave their windows open when the city fumigates the streets as they consider it free extermination for their apartment and it chases away the man who continually urinates outside their apartment window.  Through a stroke of good fortune and a hook up from a college buddy, the son Min (Seo-Joon Park) lands an English tutoring job with the Uber wealthy Park family.  Not only is Min amazed by the Parks wealth, but he is also charmed by their graciousness albeit naïveté.  Min spots an opportunity to expand his family’s good fortune where he has his sister pose as a high in demand  art tutor and recommends her for the Park’s precocious son.  Not believing their good fortune of getting away with two members of their family securing jobs with the Park family on fraudulent terms, the family plots a plan to get them all employed by the Parks

Eventually they work out the family driver and housekeeper and deftly replace them with  their mother and father. With the entire family employed by the Parks and the Parks being none the wiser, the Ki-Taeks are living the good life, especially when the Parks are away.  Things are going well until during one night of revelry absent the Parks, the former housekeeper shows up and changes everything with her revelation.  I am a firm believer in not doing spoilers in my review, so I can’t really give anymore details about the plot other than to say that the movie takes a dramatically different direction.

In a lesser film (especially ones involving class warfare) there would be good guys (usually the poor family) and bad guys (definitely the rich family). Bong Jon Ho does not make it so easy.  While we sympathize and hope for the best for the Ki-take family they are not without their faults.  Indeedthey do things that are criminal and contemptible.  Likewise the wealthy Parks have all the snobberies one would expect of a rich family, but they are genuinely likable and sincere.  There are no good guys or bad guys, just a situation that spirals out of control.

Bong Jon Ho’s ability to deftly change direction, if not genres, mid-movie is beautiful to behold.  He is able to ratchet up intense thrills and tensions while not letting go of the comedy or the commentary. Part of the reason for the tension is that you know that Bong Jon Ho is taking you somewhere, but given the twists and turns prevelant in the movie you have no idea where and how high he’s willing to go.  In this era of cookie cutter formula movies and sequels that offer few surprises, it is refreshing to see a Director who takes chances and offers a unique vision that isn’t tried and true.  There is nothing in this film that a Director could sell to a studios as a sure fire way to make money other than it is fantastic.  I can’t wait to see Bong Jon Ho’s next offering because each film seems to get progressively better.


I give this film **** stars out of five





Saturday, October 5, 2019

Joker


         If I wasn’t so verbose, I could sum ‘Joker’ up in one word: “Wow!”.  There has been a lot of controversy surrounding the release of this film involving the disturbing themes and imagery.  People have tried to censor this film based on it’s close relation to the 'Dark Knight’ and the Aurora Colorado shootings.  Still others find it toxic to seemingly glorify a psychopathic violent loner.  And still others have focused their “wokeness” and “recreational outrage” to the latest flavor of a cancel target.  I tend to lean to absolutism when it comes to film and art where I believe the artist should be free to express their vision.  With all that being said, I completely understand the controversy and I’m surprised finding myself not disagreeing with the points the film’s critics are making.  That is not to say that I didn’t find this a superb piece of film making and a darkly beautifully filmed character study.  This is a film that takes chances in response to a world that snobbishly turns their collective noses up at “comic book” films.  My reverent hope is the 'Joker' will be rewarded during Oscar season.

First and foremost, for those who do not care for the super hero genre, this is not the type of film you are used to disliking.  If I had to label this film, it would be a noir character study akin to ‘Taxi Driver’.  It is a film that examines the descent of a sociopath, but does not glorify it despite what the critics have been saying.  Even though the majority of Americans know who the Joker is in the Batman world, this film is not connected to the current inter-connected DC film universe.  This is a stand alone film.  In fact, DC has slowly been giving up trying to copy Marvel’s one universe success and going more for these type of stand alone films.  If this is the result, then I say continue in this direction, because I have nothing but respect for this film.

Joker first appeared in Batman #1 in 1940.  Since then, there have been many origin stories and interpretations.  Film and TV wise, it is subjectively debatable which version is best, but I will say Heath Ledger’s version is probably the most respected give his Oscar awarded performance.  I found Joaquin Phoenix’s performance every bit as respectable yet entirely original and his own.  It has washed out the bad tasted of Jared Leto’s performance in ‘Suicide Squad’ and given me new confidence that DC can find their own audience with a unique vision apart from Marvel’s.  

The story itself doesn’t sound that intriguing.  Arthur Fleck is a mentally ill struggling comedian and clown who lives with his mother.  He is trying to keep it all together and the fact that he has Pseudobulbar Affect (a condition that causes uncontrollable laughing/crying) only heightens his isolation from his fellow man.  Life is not kind to Arthur and one event after another spirals Arthur downward.  He has two rays of light in his life.  His single mother neighbor, Sophie, shows him kindness which he hopes will turn into a relationship.  The second is during one of the nights he bombed at an open-mic comedy club, he caught the attention of one of his comedy idols, Murray Franklin.  Robert DeNiro captures the essence of a Johnny Carson style talk show host.  Not evil, but definitely a smarmy Hollywood type who is attracted to Arthur strictly in order to make fun of him on national TV.  

My admiration of this film is not in the story which we’ve seen shades of before as in the aforementioned ‘Taxi driver’ or ‘King of Comedy’ (ironically, both starring Robert DeNiro).  My respect comes from the sheer beauty of the film making.  Where most films in the comic book genre tend to be a roller coaster of action, this film takes its’ time.  Lingering camera shots as we feel Arthur’s descent into madness. We feel his pain as life batters him and while I may not sympathize with him, I definitely understand his descent.  As Arthur slowly becomes more violent, the film’s violence isn’t gratuitous or cartoonish.  It is visceral and disturbing.  Not necessarily gory, but having a certain veritas and gravitas that we are numb to in over the top action films. 

The film’s music score adds to the intensity so I recommend seeing this in the theater with a good sound system where you actually can feel the intensity it instills. The music that Director Todd Phillips chooses are ones that I never would have associated with a film of this type, but they fit perfectly to his vision.  The scene where Arthur Fleck emerges for the first time  in his Joker persona in its’ entirety is set to  Gary Glitters ‘Rock & Roll: Part 2” and is both viscerally exciting and disturbing given the lightness of the song overlapping Fleck’s madness.

There are many unexpected directions this film takes as well as a few easter eggs for we comic nerds, overall this film defies easy classification.  It’s too easy to say it’s just a character study as Phillips ability to take such a dark and unredeemable subject matter and give it the artistic beauty of superior film making causes many conflicting emotions.  In the end, I believe art is all about emotionally moving someone and ‘Joker’ does that, even if it isn’t in a direction one would want to go.  Much, much respect for this achievement.


I give this film **** out of five stars




Sunday, July 28, 2019

Spider-man: Far From Home



Spider-Man: Far From Home

I’m surprised at how many thoughts and opinions I wish to express over a film that I just found ‘pretty good’.  I’ve seen a lot of hype around this film saying it is the best super hero film of the year (really? Did they see Avenger’s: Endgame?).  I will say this is a thoroughly enjoyable, post major event film akin to last year’s Ant-man and Wasp, but by no means is it a fantastic movie.  More of a coming off your sugar high from ‘Avengers:Endgame’ type of film.  I will do my best not to give away too many spoilers, but I will warn in advance, there might be some minor ones.

Spider-man is unique in the film world as it is the only character that existed outside the MCU, before he was brought in (I am not counting Punisher or Howard the Duck for all the contradictory people out there).  Most characters have seen stability amongst the actors who play them, but Spider-man has gone through several actors over the course of these many years.  Most agree that Tom Holland was perfectly cast as the modern day web slinger.

So the question is ‘How does one top ‘Avenger’s: Endgame’?  The answer is that you don’t.  You make a smaller movie that is just fun and exciting.  Not every film has to break records.  The opening sequence cleverly goes about wrapping up the loose ends from ‘Endgame’ and explaining how life has gone on since everyone was brought back from the ‘Thanos snap’ (not to mention one of the funniest opening theme songs to any Marvel film).  We are reminded that despite Peter Parker’s cosmic adventures he is still just a 16 year old high school kid who obsesses over things any 16 year old would.  Most importantly, how does he get the girl he likes notice him?  As with traditional Spider-man canon, Peter is trying to win the affections of Mary Jane Watson (completely miscast with a sullen Zendaya).  He sees an opportunity to get closer to MJ on a European school trip as well as a long over due break from being Spider-Man.  

I think most of this film’s charm is that it is primarily a teen romance movie that harkens hack to the John Hughes era.  Despite being an Avenger who has faced Thanos, Peter still has the adolescent awkwardness of any high schooler trying to navigate his first school crush.  Of course, this is a super-hero movie and and it isn’t long before Nick Fury (the beloved Samuel L Jackson) shows up to recruit Peter to help fight monstrous Elementals who have invaded our world from another dimension.  Also from the same other dimension comes a hero who the Italians (the group’s trip starts in Italy) have labeled ‘Mysterio’.  He seems to be powerful enough to take on the monsters, but with the dire warning that these Elementals are what destroyed his world.  

Mysterio (Jake Gyllenhal, who ironically was originally cast as Spider-man before it was taken by Toby McGuire) was always a character that many fans thought would be impossible to adapt to the big screen, but I give Marvel credit as they captured his essence perfectly. Anyone familiar with this character in the books of Spider-man knows that all is not what it appears, so I will not further go into the story to preserve all the surprise twists and turns.

Marvel has done a great job at envisioning this version of Spider-man to the screen.  My one complaint is that they over tech his suit to the point where he is almost Iron-man.  Spider-man was never about cool tech (aside from his web shooters). I think all the next-gen tech distracts from the character, but that’s this man’s opinion.  Given how much Tony Stark was referenced in this film (even to include Jon Favreau’s Happy Hogan as a supporting character) and given how much Spider-man’s existence is based on Stark Industries support  one expected to see Robert Downey Jr some where in this film.  However, since RDJ’s contract is over, all we get is references to him.  

After all is said and done, it is an exciting super-hero flick even if the teen romance angle seems to be a little frivolous albeit charming at times. There are a lot of fun throw backs to plot lines that dated back to the original Ironman movie and a lot of Easter eggs that hint where the future of the Marvel universe is headed.  I think Tom Holland still has a few more years left before he ages out of the character, but I feel they have to work on the supporting characters a bit more.  It will be interesting if they incorporate Miles Morales from last year’s animated (and superior) ‘Spider-man: Into the Spider-verse’ film.  Given the introduction of the multi-verse in this film, it would only be a natural evolution to bring the Morales Spider-man to the live action MCU.  I am going to be overly generous with my stars for this film as it was great fun, but I’m sticking with my original premise that it is only “pretty good”.


I give this film *** out of five.



Saturday, May 4, 2019

Avengers: Endgame


       Never in my lifetime has there ever been more hype, more anticipation, more cultural focus on a movie than the final chapter in the Avengers story arc; ‘Avengers: Endgame’.  And yes, ‘Star Wars’ fans, I am including those films too as I think this weekend’s record shattering 1.23 billion dollar box office take will support my claim. I look back over the last 11 years to the beginning with 2008’s ‘Ironman’, which returned Robert Downey Jr to Hollywood’s A-list and sparked a series of complex, expanding, entertaining, and  intermingling movies that have finally come to a culmination of a 22 film journey.  Can any movie possibly live up to this hype… the answer is ‘Yes’!  I won’t say this was my all-time favorite movie, but I will say that ‘Avengers: Endgame’ is the perfect ending to the most successful movie franchise of all time. 

Very few cliffhangers have shocked the viewing public like last year’s “Thanos snap” at the end of ‘Avengers: Infinity War’.  We have been so programmed to expect (even know) that the heroes will win by the end of the movie. Not only was the audience caught unaware, but the sheer impossible magnitude of the “Decimation" rocked viewers to the core.  It has been the water cooler topic for the past year as our emotional jarring has built the anticipation for ‘Avengers: Endgame’ to such a frenzied pitch that it will be the first movie to break the 1 billion dollar mark opening weekend.  I purposely waited a few days to write this as it would be impossible to critique ‘Avengers: Endgame’ without a few spoilers and the viewers who have been patiently waiting for over a year deserve not to have the film spoiled for them.  That being said, be warned that there will be minor spoilers ahead.

It has been said many times before, but the sheer skill of the Directors Russo can’t be over stated.  How does one take 22 movies with open plot lines and wind them all up in one satisfying 3 hour finale extravaganza that feels organic and not rushed.  The Russos accomplish this.  And further, this isn’t just a rehash or a part 2 of ‘Avengers: Infinity War’, this is a film with a completely different flavor and objective.  After the action of the pre-opening scene, I would say this is more of a character exploration.  This is a film of how our original team of heroes are dealing with the aftermath of the "Decimation" 5 years later.  I won’t go so far as to say it was slow in the 2nd act as I enjoyed seeing their everyday recovering lives, but it is far from the non-stop rollercoaster of the previous film.  Tragedy and comedy seamlessly integrate as only Marvel can do.  Our hearts break as we laugh with them.

Out of all the secrecy that shrouded this, I think the one that all fans figured out is that time travel would be involved. The traveling to the past to fix the future has been the theme of many films over the years (as the team hilariously referenced many times), but in this case it was all the more gratifying because it gives the viewer a chance to go back and re-visit previous films from a different angle.  For those cinephiles who notice such things, even the music scores from each of the visited films lined up heightening the nostalgia.  The audience points and whispers at the appearance of characters we thought were long gone.  The sheer feat of rounding up all these actors is an event in itself.  The explanation of time traveling is brain turning and at times full of holes, but enough of our suspension of disbelief is held in tact to thoroughly enjoy the ride.

Of course, what would a super hero movie be without an epic battle at the end.  This part I will keep quiet as I want to give out absolutely no spoilers other than to to say it is the epic battle to end all epic battles.  I knew it would be big, but this surpassed even what I expected.  A climatic fight scene where we thrill, laugh, cry, hold our breaths, stare in awe, and jump from our seats.  However, despite this spectacle, it is the last 8 minutes of the film that has everyone talking and I am included in that group.  As I stated at the beginning, it is the perfect ending to the most successful movie franchise of all time.  A franchise that started with ‘Ironman’ back in 2008.  Marvel had no idea of what they were destined to produce.  It’s been revealed that Director Jon Favreau’s tacking on the introduction of Nick Fury in a post-credit scene sparked the idea.  11 years and 22 films later, Marvel has changed the face of cinema.

Usually in this portion of the review, I give my opinion whether or not one should see the movie, but I think that is obvious.  If one has been along with the Marvel ride over the years, then it isn’t even a choice.  You must go see it.  Just be satisfied with the confidence that you won’t be disappointed.  I give this film my highest rating, not so much for its’ technical achievements as a stand alone movie rather in gratitude to the gift Marvel has given its’ dedicated fans over all these years.



I give this film ***** stars out of five.