Sunday, December 27, 2020

Wonder Woman 1984

 


    Let me start off by saying that I am a HUGE fan of Patti Jenkin’s first Wonder Woman movie.  She proved that DC was capable of producing films that matched, and in some cases exceeded, the content that Marvel was putting out.  Gal Gadot was controversially cast in the role, but ended up being the perfect choice to embody the Amazonian princess.  Her chemistry with Chris Pine’s Steve Trevor laid the foundation for an exceptional film.  I have been waiting for this sequel for so long and to have this be the first film I went to see in the theaters since last summer, I really wanted to like this film.  All that being said, I was beyond disappointed in this film and almost angry that it fell so short of expectations in almost every category.  This is an unworthy sequel to a fantastic first film and shows that DC still hasn’t found the ability to connect with audiences.   After such an aggressive opening statement, I should list everything that I found wrong with the film, however that list would be too long.  Instead, I’m going to focus on general themes that I feel detracted from the overall film. 

 

Right from the start, I wasn’t sure why this film was set in 1984.  Other than a few cliche jokes, I found that it had very little connection to the spirit of the time.  That being said, it was one of my more minor qualms with the story.  In order for a super-hero movie to work, there must be a “suspension of disbelief”.  What that means is that if you are unable to buy into the fanciful world or topic being created, the film will just end up feeling frivolous.  Not only does one have to get past suspending their disbelief of the super-hero world, but one has to also get past the premise of the story.  The premise is that of a ‘Wishing stone’ granting the wish of anyone who touches it (only one time apparently).  ‘Be careful what you wish for’ is a tired cinematic trope that was made even more fatiguing by the confusing aspects of how this stone granted wishes. Everything about the premise seemed cheesy and cartoony.  If a superhero film feels cheesy and cartoony, then ‘Game-Over’!  There is no way to suspend your disbelief and the eye-rolling starts.


My second issue is the return of Steve Trevor, whom everyone knows by now, died decades earlier in the first film.  We were promised by everyone involved in the production that Steve’s return wouldn’t be ‘gimmicky’ or cliche.  Well, that’s precisely what it was…a gimmick and cliche.  Worse, it was a gimmick that didn’t entirely make sense.  Especially, the part about him coming back in another body, yet us seeing him as Steve Trevor.  It was a twist that wasn’t needed and only added to the already confusing resurrection plot.  I won’t deny that there is still strong chemistry between Gadot and Pine and some of the film’s best moments were between the two.  However, I never was able to stop asking myself, “Why is he in this movie”.  


My third issue was the use of the aforementioned ‘Wishing stone’.  It was an ill-explained, confusingly executed plot device that left me trying to figure out what it actually did.  They kind of slipped in that if it grants you a wish, it takes something from you… sort of.  It was used as a device to weaken Diana… a little bit.  She was still Wonder Woman, just not quite as wondrous as before.  They tried to explain the ebbs and flows of her powers, but I never really fully understood how it worked or even the stone’s origin.  It was supposedly something immensely powerful but looked liked something one could purchase at Spencer’s Gifts.


My fourth issue was with Kristin Wig’s portrayal of the super villain Cheetah.  I’m a big fan of Kristin Wig and had high hopes to see what she could do, but once again we see villainous stereotypes and cliches that we’ve seen countless times before.  The bumbling outcast who is corrupted by gaining superpowers.  Combine that with some of the weakest CGI I’ve seen in a film of this level and it really was an almost superfluous addition to an already over-long movie.


My final complaint (for purposes of not rambling too long) was the film’s primary villain, Maxwell Lord (played by one of my favorite actors; Pedro Pascal).  He was a television personality/oil speculator who, despite his public image, was on the verge of financial ruin.  He saw the wishing stone as a means of turning his collapsing empire around.  I don’t believe they ever really explained how he knew about the stone (other than some crudely drawn notes on his desktop), but his sole purpose was to possess the stone then have a confusing plan to take over the world.  Some critics have tried to make the comparison to Maxwell Lord being a parody of Donald Trump, but other than a few minor connections or references, I didn’t really see anything too overt.  What a waste of a gifted actor


If I’m being honest with myself, I do believe some of the harshness of my criticism is coming from trying to compare it to the massive story telling success of the first movie.  That being said, even if I were judging this as a stand-alone film, my criticisms still stand.  This was an assembling of such a great cast, who were wasted on a cheesy and cartoony story.  Surprisingly little action and overly pontificating for a ponderously long 2 1/2 hours.  I still hold Patti Jenkins in the highest regard, but this was a miss for her.  I really tried to like it, but I felt it just lacked the kind of mojo that makes a super-hero movie special.


I give this film * 1/2 out of 5.


Wonder Woman 1984 trailer




Sunday, September 13, 2020

The New Mutants



 The New Mutants


       So, for the first time since Covid started, the theaters have opened and I was one of the first ones back in the movie seats.  I had a choice of two films: ‘Tenant’ by one of the greatest Directors of all-time, Chris Nolan or the much production delayed and re-written ‘New Mutants’. Of course, against my better judgement, I let me inner comic geek come to the surface and decided on going to see the X-men spinoff; ‘New Mutants.  I knew I was wrong when I chose that, but I had no idea how wrong I was.


I’m not sure why I chose to see this film as I was never really impressed by the comic series of the same name.  I thought the stories were weak and the character’s were cliché with confusing powers.  All the major comic properties have been mined and the studios are digging into 3rd and 4th tier characters.  That being said, there have been some surprises like ‘Guardians of the Galaxy’, but for the most part when they dig this deep the results are lukewarm at best (similar to their receptions in comics). The one aspect that did intrigue me is that this was the first attempt to vary the super-hero genre as to focus on a horror aspect rather than an action-adventure.  I’m all for trying new things and I will even grade on a curve just to reward artistic chances.  However, even with a curve, this movie just failed to deliver no matter how much I wanted it to succeed.


The story’s premise is that teenage mutants, who are just discovering their powers, are taken to a secretly remote and secure hospital under the guise of helping them.  The implication from the head doctor Dr Reyes (‘Queen of the South’s Alice Braga) is that the hospital is under the oversight of Prof Charles Xavier of the famed X-Men.  In reality, they are prisoners being groomed for something far more sinister.  I’m usually against forced ‘wokeness’ as the cast of mutants were checklist racially and sexual orientedly diverse.  In this case, it wasn’t heavy handed and fit with the story, so I didn’t feel it was a distraction or lecture point.  The focal character was Danielle Moonstar (Blu Hunt) a Native American with ill-defined powers of manifesting someone’s greatest fear. After a promising prologue involving the destruction of her village, the story finds Danielle waking up chained in the hospital with several other mutant ‘patients’.  While Dr Reyes insists they aren’t prisoners, the protective energy field around the school grounds and the over restrictive punishments for rule infraction makes it very clear to Danielle that she is indeed being held against her will.  She soon meets her fellow “New Mutants”: Raina Sinclair (GOT’s Maisie Williams) with the powers to turn into a wolf, Sam Guthrie (Charlie Heaton) the West Virginian coal miner who can turn himself into an unstoppable ‘Cannonball’, Roberto de Costa (Henry Zaga), not sure what his abilities are exactly, but his super-hero name is Sunspot.  He can do something with fire, but he’s all black and invulnerable and stuff.  Finally, the resident eye candy, Russian Ilyana Rasputin (Anya Taylor-Joy).  For the in-comic crowd, they will recognize this character as the sister of famed X-Man Pietor Rasputin, Colossus.  For the rest, you will be treated to the resident teen-aged angst girl with the most confusing powers of them all.  Somehow, she makes a sword, complete with right arm armor appear and she’s also able to transport to limbo dimensions. I won’t go into her complicated backstory but suffice it to say she’s there for the ‘hot girl flash’.


As we are taken through all the teen-aged trials and relationships worthy of a CW show (and not even a good one), images of horror and terror start to arise in an already horrific hospital prison situation.  I’m not against CGI, but in many cases (such as this), bad CGI really detracts from the effect the film is trying to have.  I didn’t feel the horrific CGI manifestations were all that horrific.  I was too distracted by noticing the bad quality of the CGI.  In the end, it takes more than just special effects to make a movie.  Garish and badly done CGI can’t make up for a weak story.


This is by far the worst ‘X-Men’ universe movie to date.  Sure the source material was weak, but good writing and vision can make up for that.  Kudos again for trying to experiment with the genre, but that is all that I can really say positive about this movie.  This is the last offering of the Fox owned X-Men franchise as it transfers ownership over to Disney/Marvel.  If anything, it serves as a satisfying reminder that Marvel is where this franchise belonged all along.  Au revour Fox studios.  Thank you for years of sometimes up, but more often than not downs in bringing this team to life.  Rest well knowing that the franchise is in better hands now.

The New Mutants trailer



I rate this film ** out of 5 stars


Saturday, February 8, 2020

Oscar Predictions 2020


Oscar Predictions 2020

So every year I try to predict the Oscars.  I do this from the understanding that the Oscars do not always pick the “best” picture, rather the one that reflects the politics of Hollywood during that year.  I also realize that my opinion is just that: my opinion.  

With that in mind, in addition to my prediction of how Hollywood will choose, I’m going to add who I think should win (complete with acknowledging all my biases) and who (as objectively as I can ) should actually win.  Subtle differences to be sure, but they are there.  So here goes: 


Leading Actor:
Antonio Banderas in PAIN AND GLORY
Leonardo DiCaprio in ONCE UPON A TIME...IN HOLLYWOOD
Adam Driver in MARRIAGE STORY
Joaquin Phoenix in JOKER
Jonathan Pryce in THE TWO POPES

Prediction:  Joaquin Phoenix: Tour de force acting job that has everyone buzzing
I Think:         Joaquin Phoenix
Should Win: Antonio Banderas:  A subtle and powerful performance that no one saw. Long past his pretty boy stage, Banderas has developed into a master craftsman of his art.  Greatness does not always come in a blockbuster film.

Supporting Actor
Tom Hanks in A BEAUTIFUL DAY IN THE NEIGHBORHOOD
Anthony Hopkins in THE TWO POPES
Al Pacino in THE IRISHMAN
Joe Pesci in THE IRISHMAN
Brad Pitt in ONCE UPON A TIME...IN HOLLYWOOD

Prediction:  Brad Pitt:  Hollywood loves this movie and Brad.  Hanks already has too many Oscars.
I Think:         Brad Pitt
Should Win: Brad Pitt


Leading Actress:
Cynthia Erivo in HARRIET
Scarlett Johansson in MARRIAGE STORY
Saoirse Ronan in LITTLE WOMEN
Charlize Theron in BOMBSHELL
Renée Zellweger in JUDY

Prediction:  Renee Zellweger:  Oscar darling
I Think:         Scarlett Johansen:  Didn’t like the movie, but she struck a perfect balance with this character.  
Should Win: Renee Zellweger:  Not my cup of tea, but no denying the talent in this

Supporting Actress:
Kathy Bates in RICHARD JEWELL
Laura Dern in MARRIAGE STORY
Scarlett Johansson in JOJO RABBIT
Florence Pugh in LITTLE WOMEN
Margot Robbie in BOMBSHELL

Prediction:  Laura Dern: Don't get the obsession with her or this role.  Personally think she is way over hyped as an actress.
I think:         Scarlett Johansson:  A great and powerful performance. Drama in the middle of a dark comedy
Should Win: Scarlett Johansson

Best Film
FORD V FERRARI
THE IRISHMAN
JOJO RABBIT
JOKER
LITTLE WOMEN
MARRIAGE STORY
1917
ONCE UPON A TIME...IN HOLLYWOOD
PARASITE
Prediction:  Joker:  No other movie had the well-deserved buzz this had.
I Think:         Parasite:  Korean filmmakers are producing some of the highest film art out there.  Shows you the power of this film as it wasn’t only relegated to the Foreign Language category
Should Win: 1917:  Film making at it’s finest and Sam Mendes’ finest work


Best Director
THE IRISHMAN
Martin Scorsese
JOKER
Todd Phillips
1917
Sam Mendes
ONCE UPON A TIME...IN HOLLYWOOD
Quentin Tarantino
PARASITE
Bong Joon Ho

Prediction:  Sam Mendes:  Career high director offering
I Think:         Sam Mendes:  Well deserved
Should Win: Bong Joon Ho:  Korean directors are not getting the level of respect that they deserve.  Fantastic movie worthy of an Oscar


So, these are my predictions with unasked for commentary.  I wish myself luck